Shakespearean CriticismGale, 2003 - 432 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 39
... early modern stage . More specifically , his words ground conjectures about how those plays functioned within the social imaginary , both to remas- culinize late Elizabethan culture and to participate in the patriotic project of nation ...
... early modern stage . More specifically , his words ground conjectures about how those plays functioned within the social imaginary , both to remas- culinize late Elizabethan culture and to participate in the patriotic project of nation ...
Seite 227
... early speech headings . " The interactions between Orsino and Viola are clearly key in the creation of both characters in the film ; Nunn's several elaborations and elongations of that association actually emphasize the hierarchical ...
... early speech headings . " The interactions between Orsino and Viola are clearly key in the creation of both characters in the film ; Nunn's several elaborations and elongations of that association actually emphasize the hierarchical ...
Seite 243
... early modern society and back to the dramatic and theatrical past . II . PRIVATE INHIBITIONS , PUBLIC EXHIBITIONS Let us begin with early modern society . Recent criti- cism of Shakespeare's comedies has made considerable advances in ...
... early modern society and back to the dramatic and theatrical past . II . PRIVATE INHIBITIONS , PUBLIC EXHIBITIONS Let us begin with early modern society . Recent criti- cism of Shakespeare's comedies has made considerable advances in ...
Inhalt
Production Reviews | 37 |
Themes | 52 |
Further Reading | 111 |
Urheberrecht | |
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actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York