Shakespearean CriticismGale, 2003 - 432 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 108
... audience to enjoy the rebellion as if it were carnival , for if carnival and rebellion oscillate with each other from beginning to end , the audience need never feel seditious in enjoying them . Rather , under the bless- ing of carnival ...
... audience to enjoy the rebellion as if it were carnival , for if carnival and rebellion oscillate with each other from beginning to end , the audience need never feel seditious in enjoying them . Rather , under the bless- ing of carnival ...
Seite 233
... audience's superior knowledge in his filming of the twins . He provokes his audience's confusion by substituting Imogene Stubbs for Steven Mackintosh when Olivia spies Feste and " Cesario " outside her window just after this exchange ...
... audience's superior knowledge in his filming of the twins . He provokes his audience's confusion by substituting Imogene Stubbs for Steven Mackintosh when Olivia spies Feste and " Cesario " outside her window just after this exchange ...
Seite 340
... audience is laughing at and experi- menting with history together . They laugh at the ways in which supposedly perpetual social order can be confused by ambiguous foolishness . They laugh at the slipperiness of words and associations ...
... audience is laughing at and experi- menting with history together . They laugh at the ways in which supposedly perpetual social order can be confused by ambiguous foolishness . They laugh at the slipperiness of words and associations ...
Inhalt
Production Reviews | 37 |
Themes | 52 |
Further Reading | 111 |
Urheberrecht | |
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actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York