Shakespearean CriticismGale, 2003 - 432 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 227
... Orsino's speech ( 1.1 ) . However , that reversal is translated through film convention : Viola's landing functions as part of the opening credits , as Nunn points out , " before the work proper , which would still begin with one of the ...
... Orsino's speech ( 1.1 ) . However , that reversal is translated through film convention : Viola's landing functions as part of the opening credits , as Nunn points out , " before the work proper , which would still begin with one of the ...
Seite 228
... Orsino reveals the difficulties caused by nineteenth - century perception of Viola's character : idealizing her constancy throws Orsino's " weakness " into sharp relief . Orsino's apparent inconsistencies , especially in 2.4 , were ...
... Orsino reveals the difficulties caused by nineteenth - century perception of Viola's character : idealizing her constancy throws Orsino's " weakness " into sharp relief . Orsino's apparent inconsistencies , especially in 2.4 , were ...
Seite 229
... Orsino first inter- rupts Cesario's fencing lesson , " Who saw Cesario , ho ? " ( 1.4.10 ) and then leads him out to the seaside to ask his help . Nunn's screenplay even registers an imagined length of time in this cut : " ORSINO is ...
... Orsino first inter- rupts Cesario's fencing lesson , " Who saw Cesario , ho ? " ( 1.4.10 ) and then leads him out to the seaside to ask his help . Nunn's screenplay even registers an imagined length of time in this cut : " ORSINO is ...
Inhalt
Production Reviews | 37 |
Themes | 52 |
Further Reading | 111 |
Urheberrecht | |
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