Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 18
... turn the scale . Outside of purely comic situations , this overdifferenti- ation ultimately leads toward ... turns even deadly serious situations toward comic ends . An act of for- giveness breaks the bond of reciprocity by focusing on ...
... turn the scale . Outside of purely comic situations , this overdifferenti- ation ultimately leads toward ... turns even deadly serious situations toward comic ends . An act of for- giveness breaks the bond of reciprocity by focusing on ...
Seite 205
... turn . From the moment Emilia voices the audience's resistance to Iago's construction of the heroine , the stage in the denouement becomes the site of a contest for the play's meaning . The platform is overrun with interpreters vying to ...
... turn . From the moment Emilia voices the audience's resistance to Iago's construction of the heroine , the stage in the denouement becomes the site of a contest for the play's meaning . The platform is overrun with interpreters vying to ...
Seite 355
... Turn hot , pulsating cheeks into a rose , com- pare them with the ' purple - coloured face ' of the sun taking his leave of ' the weeping morn ' ( 1-3 ) .15 Meta- morphose the beloved into the field's chief flower whose superior beauty ...
... Turn hot , pulsating cheeks into a rose , com- pare them with the ' purple - coloured face ' of the sun taking his leave of ' the weeping morn ' ( 1-3 ) .15 Meta- morphose the beloved into the field's chief flower whose superior beauty ...
Inhalt
A Second | 1 |
Measure for Measure | 16 |
Sharing the Queens | 31 |
Urheberrecht | |
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Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York