Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 205
... final scene of the play . The role of the audience is a crucial factor in Othello as a theatrical event . And it is mainly through Iago's plataea function as presenter and interpreter that the play includes that role in its overall ...
... final scene of the play . The role of the audience is a crucial factor in Othello as a theatrical event . And it is mainly through Iago's plataea function as presenter and interpreter that the play includes that role in its overall ...
Seite 206
... final agon in the play's self - construal . First Gratiano , whose role in the finale as an homme moyen sensuel is signaled twice by an uncomprehending " What is the matter " ( 5.2.171 , 259 ) , registers in a series of banalities the ...
... final agon in the play's self - construal . First Gratiano , whose role in the finale as an homme moyen sensuel is signaled twice by an uncomprehending " What is the matter " ( 5.2.171 , 259 ) , registers in a series of banalities the ...
Seite 304
... final scene . " For the bulk of the play Desdemona and Annabella's paths diverge , and while one remains a chaste and loving wife , the other progresses from incest to adultery . At the end of the play , however , Ford's treatment of ...
... final scene . " For the bulk of the play Desdemona and Annabella's paths diverge , and while one remains a chaste and loving wife , the other progresses from incest to adultery . At the end of the play , however , Ford's treatment of ...
Inhalt
A Second | 1 |
Measure for Measure | 16 |
Sharing the Queens | 31 |
Urheberrecht | |
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Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York