Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s AmericaArthur Gewirtz, James Kolb Bloomsbury Academic, 30.10.2004 - 243 Seiten The theatre and drama of the 1920s reflects a great synergy of art, glitter, and glitz—a decade of experimentation and incubation for mainstream American playwrights coexisting with important revivals of European playwrights and Shakespeare, a flourishing commercial theatre, and the vibrant worlds of burlesque, musical comedy, Revues and Follies. |
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... Lord was a team player . Although she received the lion's share of accolades for the acting in this production , most critics noted the clear presence of an ensemble , of three central roles , especially using one another sympatheti ...
... Lord's co - workers commented on this al- most inarticulate , panatomimic , behavioral and speechless vocal communication of Lord in both private conversation and public arenas , which foreshadows the famous stage and film performances ...
... Lord was self - effacing and nearly lost herself in the world of whatever play she was assigned to do ; Arthur Hopkins referred to her process as resembling a trance . " Critic Joseph Wood Krutch described her transformation similarly ...
Inhalt
ReClaiming ONeills Strange Interlude as | 3 |
Dead and Dying Infants | 11 |
Oedipal Struggle | 19 |
Urheberrecht | |
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