Adorno, Modernism and Mass Culture: Essays on Critical Theory and MusicKahn & Averill, 1996 - 149 Seiten By the author of Adorno's Aesthetics of Music. This book consists of four sections: critical theory and music; Adorno's aesthetics of modernism; Adorno, popular music and mass culture; and critical reflections on Adorno. |
Inhalt
A Typology | 18 |
Critical Theory and the Enlightenment Project | 25 |
Autonomy and Social Function | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adorno maintains Adorno's Aesthetic Theory Adorno's concept Adorno's critical Adorno's theory Adorno's writing aesthetic modernism Aesthetics of Music appeared approach argued art music aspect attempt authenticity autonomous avant garde become commodity consider context contradiction Critical Theory culture industry Dialectic of Enlightenment emancipation essay example extreme fetish fragmentation Frankfurt am Main Frankfurt School German Gesammelte Schriften Habermas historical Horkheimer Ibid idea ideology jazz Jürgen Habermas kind Konrad Boehmer London mass culture Max Horkheimer Max Paddison meaning mediated Minima Moralia mode Modern Music modernist musical material musicology Musik nature negation Negative Dialectics nineteenth century object particular Peter Bürger popular music postmodernism production rationalization relation reveal rock music Sandner Schoenberg seen self-reflective sense serious music social function society Sociology of Music structure Subject Suhrkamp T.W. Adorno technical tendency theoretical theory of music tion tradition trans translation Trevor Wishart truth content twentieth century understood Walter Benjamin Weber