Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 108
... stage direc- tions . She is " Helena " only in the first stage direction , in the text of act 1 , scene 1 ( one reference , in prose , by the Countess ) , and ( after intervening stage direc- tions use " Helen " ) in two other stage ...
... stage direc- tions . She is " Helena " only in the first stage direction , in the text of act 1 , scene 1 ( one reference , in prose , by the Countess ) , and ( after intervening stage direc- tions use " Helen " ) in two other stage ...
Seite 142
... stage with no other char- acters present to hear it , we typically interpret the soliloquy as a true expression of that person's state of mind . Thus , when Helena says , alone on stage , No , come thou home , Rossilion , Whence honor ...
... stage with no other char- acters present to hear it , we typically interpret the soliloquy as a true expression of that person's state of mind . Thus , when Helena says , alone on stage , No , come thou home , Rossilion , Whence honor ...
Seite 148
... stage - minutes come to terms psychologically with a problem which would probably remain unresolvable in life outside the theater , but because in the foreshortened drama of the stage he has been made capable of distinguishing true ...
... stage - minutes come to terms psychologically with a problem which would probably remain unresolvable in life outside the theater , but because in the foreshortened drama of the stage he has been made capable of distinguishing true ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young