Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 33
... speaks . / O , speak again , bright angel ' ( 2.1.67-8 ) ; ' every tongue that speaks / But Romeo's name speaks heavenly eloquence ' ( 3.2.32- 3 ) . Like the lovers , the play also seeks to revise existing rhetorical conventions . It ...
... speaks . / O , speak again , bright angel ' ( 2.1.67-8 ) ; ' every tongue that speaks / But Romeo's name speaks heavenly eloquence ' ( 3.2.32- 3 ) . Like the lovers , the play also seeks to revise existing rhetorical conventions . It ...
Seite 153
... speaks three words , the Second five , the Third nothing and the Fourth six . In one sense , it hardly matters whether the words are spoken with an intent to ingratiate the speak- ers with the King and so make a marriage that is bound ...
... speaks three words , the Second five , the Third nothing and the Fourth six . In one sense , it hardly matters whether the words are spoken with an intent to ingratiate the speak- ers with the King and so make a marriage that is bound ...
Seite 205
... speaks rarely coin- cides with the self to whom it refers in speaking , i.e. , that there is a double aspect to the ... speak.18 The men of the play speak the parole of narcissism thinking it is the language of love and the women ...
... speaks rarely coin- cides with the self to whom it refers in speaking , i.e. , that there is a double aspect to the ... speak.18 The men of the play speak the parole of narcissism thinking it is the language of love and the women ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young