Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 46
... line 10 of line 3 ; in line 11 of lines 5- 6 ; in line 12 of lines 3-4 ; and in lines 13-14 of lines 7-8 . Line 1 , although it may have a connection with line 12 , really lies outside the scheme . What is missing within it is a correlative ...
... line 10 of line 3 ; in line 11 of lines 5- 6 ; in line 12 of lines 3-4 ; and in lines 13-14 of lines 7-8 . Line 1 , although it may have a connection with line 12 , really lies outside the scheme . What is missing within it is a correlative ...
Seite 73
... lines of the hero and heroine in the first part of the scene do little to extend the characterizations beyond the delineations of the Countess . In her only line , Hel- ena hints at a motive of grief which is comprehensible only in her ...
... lines of the hero and heroine in the first part of the scene do little to extend the characterizations beyond the delineations of the Countess . In her only line , Hel- ena hints at a motive of grief which is comprehensible only in her ...
Seite 367
... lines ( 865- 6 ) from Spenser's " Colin Clouts Come Home Againe " ( 1595 ) , in which the pronoun breaks across the ex- pected pattern of masculine choice : " The Lyon chose his mate , the Turtle Doue Her deare , the Dolphin his owne ...
... lines ( 865- 6 ) from Spenser's " Colin Clouts Come Home Againe " ( 1595 ) , in which the pronoun breaks across the ex- pected pattern of masculine choice : " The Lyon chose his mate , the Turtle Doue Her deare , the Dolphin his owne ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young