Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 180
... language of the statutes is disjoined from truth ( or reality ) : " The function of both Berowne and Costard in the opening scene is to point the fact [ sic ] that language so divorced from realities of human nature can achieve little ...
... language of the statutes is disjoined from truth ( or reality ) : " The function of both Berowne and Costard in the opening scene is to point the fact [ sic ] that language so divorced from realities of human nature can achieve little ...
Seite 223
... language of false representation , are quick to annul their marriage to it , the ladies are firm in their belief that the marriage must be honored - that language , whether intrinsically true or not , can and should be kept true by ...
... language of false representation , are quick to annul their marriage to it , the ladies are firm in their belief that the marriage must be honored - that language , whether intrinsically true or not , can and should be kept true by ...
Seite 226
... language - audience , ' passing at the end from a stress upon the speaking voice and the almost limitless resources of language available to it , to a stress upon the participation of the audience , as expressed most succinctly in ...
... language - audience , ' passing at the end from a stress upon the speaking voice and the almost limitless resources of language available to it , to a stress upon the participation of the audience , as expressed most succinctly in ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young