Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 32
... course . The question is less what happens than how it hap- pens . By framing the action in this way , the prologue triggers various generic and narrative effects . First , it establishes the play as ' a tragedy of fate ' similar to ...
... course . The question is less what happens than how it hap- pens . By framing the action in this way , the prologue triggers various generic and narrative effects . First , it establishes the play as ' a tragedy of fate ' similar to ...
Seite 69
... course , by no means characterizes Helena ; but even so , ever since her encounter with Parolles in Act I , there has been an undercurrent of sensuality in her motives running counter to the main- stream of courtly love . Neither code ...
... course , by no means characterizes Helena ; but even so , ever since her encounter with Parolles in Act I , there has been an undercurrent of sensuality in her motives running counter to the main- stream of courtly love . Neither code ...
Seite 145
... course she has set for herself : " All's well that ends well ; still the fine's the crown./Whate'er the course , the end is the renown " ( IV , iv , 35-36 ) . " More- over , what we experience through Helena , from the very start of the ...
... course she has set for herself : " All's well that ends well ; still the fine's the crown./Whate'er the course , the end is the renown " ( IV , iv , 35-36 ) . " More- over , what we experience through Helena , from the very start of the ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young