Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 149
... character in the play , first and foremost , a character who from start to finish is preoc- cupied with attempts at mastering or controlling un- even circumstances and events . And it is as such a character that he attempts to ...
... character in the play , first and foremost , a character who from start to finish is preoc- cupied with attempts at mastering or controlling un- even circumstances and events . And it is as such a character that he attempts to ...
Seite 315
... characters who inhabit the world of farce . There is little question , then , that they represent Shake- speare's triumphant solution to the problem of the imbalance of character interest and plot interest in farce . " 19 Our position ...
... characters who inhabit the world of farce . There is little question , then , that they represent Shake- speare's triumphant solution to the problem of the imbalance of character interest and plot interest in farce . " 19 Our position ...
Seite 320
... characters , while the language of satiric humors com- edy serves mainly to express a humor character's imagi- native limitations or , in the mouth of the wit , mock- ingly to deflate another's humor . Thus Helena's decla- ration of ...
... characters , while the language of satiric humors com- edy serves mainly to express a humor character's imagi- native limitations or , in the mouth of the wit , mock- ingly to deflate another's humor . Thus Helena's decla- ration of ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young