A Book of Seventeenth Century LyricsFelix Emmanuel Schelling Ginn, 1899 - 314 Seiten |
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Seite xviii
... Queen , but a sense of the entire poem in its relation to its parts . This sense involves brevity and condensity of expression , a feeling on the part of the poet that the effect may be spoiled by a word too much a feeling which no true ...
... Queen , but a sense of the entire poem in its relation to its parts . This sense involves brevity and condensity of expression , a feeling on the part of the poet that the effect may be spoiled by a word too much a feeling which no true ...
Seite xxviii
... queen of love ? 3 1 With the foreign sources of the Elizabethan and Jacobean conceit we cannot be here concerned . See on this subject the forthcoming monograph of Dr. Clarence G. Child on The Seventeenth Century Con- ceit , shortly to ...
... queen of love ? 3 1 With the foreign sources of the Elizabethan and Jacobean conceit we cannot be here concerned . See on this subject the forthcoming monograph of Dr. Clarence G. Child on The Seventeenth Century Con- ceit , shortly to ...
Seite xxxvii
... Queen Mab and the Fairy King . " Considering only Carew's most char- acteristic lyrics , we may say that his range is contained in a corner of this spacious garden of Herrick . In Carew the view of life is narrower , more conventional ...
... Queen Mab and the Fairy King . " Considering only Carew's most char- acteristic lyrics , we may say that his range is contained in a corner of this spacious garden of Herrick . In Carew the view of life is narrower , more conventional ...
Seite xlvii
... Queen Esther , followed by Sion's Elegies , 1624 , Sion's Sonnets , 1625 , The Feast for Worms and Job Militant , both in 1626 , The History of Samson , 1631 , and Divine Fancies in 1632. Many of these works , as their titles indicate ...
... Queen Esther , followed by Sion's Elegies , 1624 , Sion's Sonnets , 1625 , The Feast for Worms and Job Militant , both in 1626 , The History of Samson , 1631 , and Divine Fancies in 1632. Many of these works , as their titles indicate ...
Seite lx
... Queen Elizabeth to those which came to prevail under the rule of Queen Anne . The salient charac- teristics of the two ages are much too well known to call for a word here . Few readers , moreover , are unfamiliar with the more usual ...
... Queen Elizabeth to those which came to prevail under the rule of Queen Anne . The salient charac- teristics of the two ages are much too well known to call for a word here . Few readers , moreover , are unfamiliar with the more usual ...
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Häufige Begriffe und Wortgruppen
Amoret appears beauty Ben Jonson bright Carew Castara century Charles Charles Cotton charming Clorinda conceit Cowley Crashaw crown Dean Prior dear death delight devotional Donne Donne's dost doth earth edition EDMUND WALLER Elizabethan Lyrics English eyes face fair fate flame flowers glory grace Grosart hast hath heart heaven Herbert Herrick Hesperides JAMES SHIRLEY Jasper Mayne JOHN DRYDEN JOHN MILTON Jonson King kiss Lady light literature live Lord Love's lover Milton mistress night passion Pattison Phyllis play poem poetical poetry poets praise prose Quarles Queen reads reign RICHARD CRASHAW ROBERT HERRICK rose Sandys sense shade sing smile SONG sonnet soul Spenser spring stanza stars stay sweet baby sleep tears thee thine things Thomas Carew THOMAS FLATMAN thou thought Thyrsis unto Vaughan verse Waller whilst WILLIAM HABINGTON wings Wit's Recreations Wither word written youth ΙΟ
Beliebte Passagen
Seite 256 - It seems she hangs upon the cheek of night Like a rich jewel in an Ethiop's ear; Beauty too rich for use, for earth too dear!
Seite 275 - There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore; — Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more.
Seite 254 - WHENAS in silks my Julia goes, Then, then, methinks, how sweetly flows That liquefaction of her clothes! Next, when I cast mine eyes and see That brave vibration each way free, — O how that glittering taketh me ! Robert Herrick 121.
Seite 217 - From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Seite 134 - WHEN Love with unconfined wings Hovers within my gates, And my divine Althea brings To whisper at the grates — When I lie tangled in her hair And fettered to her eye, The birds that wanton in the air Know no such liberty.
Seite 216 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser, men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Seite 159 - Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life.
Seite 21 - Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail, bounteous May, that dost inspire Mirth and youth and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long.
Seite 22 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pomp dost lie, That kings for such a tomb would wish to die.
Seite 144 - But ah, my soul with too much stay Is drunk, and staggers in the way! Some men a forward motion love, But I by backward steps would move, And, when this dust falls to the urn, In that state I came, return.