Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 Seiten |
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Seite 102
... matter which never was begotten by knowl- edge . For , there being two principal parts -- mat- ter to be expressed by words and words to ex- press the matter - in neither we use Art or Imi- tation rightly . Our matter is Quodlibet ...
... matter which never was begotten by knowl- edge . For , there being two principal parts -- mat- ter to be expressed by words and words to ex- press the matter - in neither we use Art or Imi- tation rightly . Our matter is Quodlibet ...
Seite 517
... matter , i.e. apart from whether the feelings it transmits are good or bad . But how are we to define good and bad art with reference to its subject - matter ? CHAPTER XVI THE essence of the Christian perception con- sists in the ...
... matter , i.e. apart from whether the feelings it transmits are good or bad . But how are we to define good and bad art with reference to its subject - matter ? CHAPTER XVI THE essence of the Christian perception con- sists in the ...
Seite 579
... matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly pre- sented to us in poetry , are merely assumptions introduced for poetic purposes , seems an ade- quate explanation ...
... matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly pre- sented to us in poetry , are merely assumptions introduced for poetic purposes , seems an ade- quate explanation ...
Inhalt
Horace | 49 |
Longinus | 59 |
THE RENAISSANCE RESTATEMENT | 77 |
Urheberrecht | |
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action admiration ancient appear Aristotle Arnold artist beauty Ben Jonson blank verse century character Chaucer classical Coleridge comedy common concrete criticism delight distinction drama Dryden effect emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism ness never object original particular passion perfect perhaps persons philosopher Plato play pleasure plot poem Poesy poet poetical poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak spirit style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing