Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 127
... Woman and Haec- Vir ; Or the Womanish Man ( 1620 ) in Half Human- kind : Contexts and Texts of the Controversy about Women in England , 1540-1640 , ed . Katherine Usher Henderson and Barbara F. McManus ( Chicago : University of Illinois ...
... Woman and Haec- Vir ; Or the Womanish Man ( 1620 ) in Half Human- kind : Contexts and Texts of the Controversy about Women in England , 1540-1640 , ed . Katherine Usher Henderson and Barbara F. McManus ( Chicago : University of Illinois ...
Seite 134
... women may have been less threatening and more over- looked within domestic spheres . Not only was sex between women not explicitly prohibited under the 1533 sodomy statute enacted by Henry VIII ( in force until 1967 ) , but women were ...
... women may have been less threatening and more over- looked within domestic spheres . Not only was sex between women not explicitly prohibited under the 1533 sodomy statute enacted by Henry VIII ( in force until 1967 ) , but women were ...
Seite 156
... women ( the homosocial order can be the patriarchal one and can seek to erase women , allowing them no function beyond serving as conduits for relations between men ) ; tellingly , she argues that as homosexuality becomes more visible ...
... women ( the homosocial order can be the patriarchal one and can seek to erase women , allowing them no function beyond serving as conduits for relations between men ) ; tellingly , she argues that as homosexuality becomes more visible ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York