Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 41
... tion . Philippe Ariés says this model “ dominate [ d ] funeral iconography from the late Middle Ages to the beginning of modern times . " Although precursors of such tombs ap- peared in France in the thirteenth century , the " combina- tion ...
... tion . Philippe Ariés says this model “ dominate [ d ] funeral iconography from the late Middle Ages to the beginning of modern times . " Although precursors of such tombs ap- peared in France in the thirteenth century , the " combina- tion ...
Seite 117
... tion of subversion versus containment can only be resolved by crediting either the expense of dramatic energy or comedic closure . Yet , to do either is also to reproduce the artificial distinction between content and form - a capitula- ...
... tion of subversion versus containment can only be resolved by crediting either the expense of dramatic energy or comedic closure . Yet , to do either is also to reproduce the artificial distinction between content and form - a capitula- ...
Seite 334
... tion ? Specifically , what role should the people play in this decision ? Most of the tracts dealing with the succession addressed this question . The most scandalous aspect of Parsons ' pamphlet was not its conclusion that the Infanta ...
... tion ? Specifically , what role should the people play in this decision ? Most of the tracts dealing with the succession addressed this question . The most scandalous aspect of Parsons ' pamphlet was not its conclusion that the Infanta ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York