Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 60
... things that don't make sense . Cleopatra's form of this confrontation with things that don't make sense is to embrace them as a source of creative possibility , for in that lack of sense lies the chance . of wonder . She " dreams ...
... things that don't make sense . Cleopatra's form of this confrontation with things that don't make sense is to embrace them as a source of creative possibility , for in that lack of sense lies the chance . of wonder . She " dreams ...
Seite 193
... things , and not to the general reason of things , that hys example draweth no necessary consequence and therefore a lesse fruitfull doctrine . Now dooth the peerelesse Poet perforem both : for whatsoever the Philosopher sayth should be ...
... things , and not to the general reason of things , that hys example draweth no necessary consequence and therefore a lesse fruitfull doctrine . Now dooth the peerelesse Poet perforem both : for whatsoever the Philosopher sayth should be ...
Seite 367
... things , things that come last in a series or progression are also a way of positing a causality that cannot be understood in the present tense . Projecting oneself beyond an imaginary terminus promises to allow one to see like the ...
... things , things that come last in a series or progression are also a way of positing a causality that cannot be understood in the present tense . Projecting oneself beyond an imaginary terminus promises to allow one to see like the ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York