Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 313
... theatrical representation . In the second tetralogy , by contrast , Shakespeare subjects his icon of royal authority to those tests and strains , exploring the theatricality of royal authority and the fictiveness of historical truth ...
... theatrical representation . In the second tetralogy , by contrast , Shakespeare subjects his icon of royal authority to those tests and strains , exploring the theatricality of royal authority and the fictiveness of historical truth ...
Seite 318
... theatrical recuperation , the king who presided over the transcendent moment when the English star " most greatly lived " is finally revealed as the product of his own theatrical recuperation , his providential author- ity the product ...
... theatrical recuperation , the king who presided over the transcendent moment when the English star " most greatly lived " is finally revealed as the product of his own theatrical recuperation , his providential author- ity the product ...
Seite 321
... theatrical deception and commercial trickery , see Jean - Christophe Agnew , Worlds Apart : The Market and the Theater in Anglo- American Thought , 1550-1750 ( Cambridge : Cam- bridge University Press , 1986 ) , pp . 1-148 . On pp . 76 ...
... theatrical deception and commercial trickery , see Jean - Christophe Agnew , Worlds Apart : The Market and the Theater in Anglo- American Thought , 1550-1750 ( Cambridge : Cam- bridge University Press , 1986 ) , pp . 1-148 . On pp . 76 ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York