Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 36
... Speak to thy father ere thou yield thy breath ! Brave Death by speaking , whether he will or no ; Imagine him a Frenchman and thy foe . Poor boy ! He smiles , methinks , as who should say , Had Death been French , then Death had died ...
... Speak to thy father ere thou yield thy breath ! Brave Death by speaking , whether he will or no ; Imagine him a Frenchman and thy foe . Poor boy ! He smiles , methinks , as who should say , Had Death been French , then Death had died ...
Seite 175
... speaking thick , which nature made his blemish , Became the accents of the valiant ; For those that could speak low and tardily Would turn their own perfection to abuse , To seem like him : so that in speech , in gait , In diet , in ...
... speaking thick , which nature made his blemish , Became the accents of the valiant ; For those that could speak low and tardily Would turn their own perfection to abuse , To seem like him : so that in speech , in gait , In diet , in ...
Seite 350
... speak to th'yet unknowing world How these things came about . ( V.ii.382-85 ) But before Horatio reveals that he intends to address the succession issue , Fortinbras takes the initiative and asserts his " rights . . . in this kingdom ...
... speak to th'yet unknowing world How these things came about . ( V.ii.382-85 ) But before Horatio reveals that he intends to address the succession issue , Fortinbras takes the initiative and asserts his " rights . . . in this kingdom ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York