Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 104
... social , political , or natural order . Many critics who address the question of sexuality in Shakespeare's writings regard gender and sexual differ- ences as social constructs - not biological or behavioral imperatives — that reflected ...
... social , political , or natural order . Many critics who address the question of sexuality in Shakespeare's writings regard gender and sexual differ- ences as social constructs - not biological or behavioral imperatives — that reflected ...
Seite 137
... social history , Antonio exists as a direct foil to the hopelessly sycophantic but presumably heterosexual courtier , Sir Andrew Aguecheek . Although Antonio's histrionic intensity is tempered by little or none of the gender irony ...
... social history , Antonio exists as a direct foil to the hopelessly sycophantic but presumably heterosexual courtier , Sir Andrew Aguecheek . Although Antonio's histrionic intensity is tempered by little or none of the gender irony ...
Seite 155
... social scientists ' term homosocial provides literary critics with a crucial lexical item to describe male - male social relations that can , but need not , be sexual . Bray's book is keenly at- tuned to the fact that its title advances ...
... social scientists ' term homosocial provides literary critics with a crucial lexical item to describe male - male social relations that can , but need not , be sexual . Bray's book is keenly at- tuned to the fact that its title advances ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York