Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 168
... references , whether implied or explicit , to the figures of classical mythology have prompted numerous studies ... reference is made to Ovid's Philomela , who is raped and mutilated in a manner similar to Shakespeare's Lavinia . In ...
... references , whether implied or explicit , to the figures of classical mythology have prompted numerous studies ... reference is made to Ovid's Philomela , who is raped and mutilated in a manner similar to Shakespeare's Lavinia . In ...
Seite 186
... reference in Act IV helps to answer the question . In a moment of uncontrolled rage , Lear refers to his daughters as centaurs ( IV . vi . 126 ) . On the surface the allusion is confusing , since centaurs were usually considered male ...
... reference in Act IV helps to answer the question . In a moment of uncontrolled rage , Lear refers to his daughters as centaurs ( IV . vi . 126 ) . On the surface the allusion is confusing , since centaurs were usually considered male ...
Seite 288
... reference moments later to Olivia's lips as ' indifferent red ' ( 236 ) , and the subsequent reference in the speech to physical gifts as ' graces ' , the first line echoes Golding's translation of the mythical boy lying by the pool ...
... reference moments later to Olivia's lips as ' indifferent red ' ( 236 ) , and the subsequent reference in the speech to physical gifts as ' graces ' , the first line echoes Golding's translation of the mythical boy lying by the pool ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York