Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 69
... persons dying may indeed be a process of growth . Facing the end enables them to step back from their total involvement in life and look at themselves from a longer perspective : a person may discover the futility of his past . . . he ...
... persons dying may indeed be a process of growth . Facing the end enables them to step back from their total involvement in life and look at themselves from a longer perspective : a person may discover the futility of his past . . . he ...
Seite 196
... person so that death will not contaminate other bodies . " Primitive man feels in his entire being the solidarity of the social group towards the danger that death represents : " The person who has just died can communicate death ...
... person so that death will not contaminate other bodies . " Primitive man feels in his entire being the solidarity of the social group towards the danger that death represents : " The person who has just died can communicate death ...
Seite 337
... person to stand in that person's stead " ( Braunmuller , 56 ) . Perhaps the best - known example of the operation of this principle is the accession , on the death of Edward III , of Richard II instead of his uncles . 28. Levine , 63 ...
... person to stand in that person's stead " ( Braunmuller , 56 ) . Perhaps the best - known example of the operation of this principle is the accession , on the death of Edward III , of Richard II instead of his uncles . 28. Levine , 63 ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York