Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 130
... performance of cross - dressing can be disruptive , Butler argues , to the extent it " reflects the mundane impersonations by which heterosexually ideal genders are performed " ( 231 ) or " exposes the failure of heterosexual regimes ...
... performance of cross - dressing can be disruptive , Butler argues , to the extent it " reflects the mundane impersonations by which heterosexually ideal genders are performed " ( 231 ) or " exposes the failure of heterosexual regimes ...
Seite 132
... performance , a performance that shows gender to be a part playable by any sex . Critics have struggled recently to determine the degree to which such theatrical gender trouble affected the social fabric of Renaissance England ...
... performance , a performance that shows gender to be a part playable by any sex . Critics have struggled recently to determine the degree to which such theatrical gender trouble affected the social fabric of Renaissance England ...
Seite 142
... performance , for me the most immediate is the illusion that performance can accommodate all of my desires at once . This is the lure of performance and , of course , its failure . And yet , like Bottom , I still go for whatever I can ...
... performance , for me the most immediate is the illusion that performance can accommodate all of my desires at once . This is the lure of performance and , of course , its failure . And yet , like Bottom , I still go for whatever I can ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York