Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 28
... moral ally in Doll : " when wilt thou leave fighting a ' days and foining a ' nights , and begin to patch up thine old body for heaven ? " ( 2H4 II.iv.231-33 ) . Hal , newly crowned , is only more austerely puritanical in chastising the ...
... moral ally in Doll : " when wilt thou leave fighting a ' days and foining a ' nights , and begin to patch up thine old body for heaven ? " ( 2H4 II.iv.231-33 ) . Hal , newly crowned , is only more austerely puritanical in chastising the ...
Seite 49
... moral problems , nor does it mean that we can't learn anything from them . Johnson , who understood Shakespeare so well even when he objected most strenuously , saw lack of serious moral concern as Shakespeare's gravest fault : His ...
... moral problems , nor does it mean that we can't learn anything from them . Johnson , who understood Shakespeare so well even when he objected most strenuously , saw lack of serious moral concern as Shakespeare's gravest fault : His ...
Seite 298
... moral right to the English throne ; that so many men follow him attests his threat to Angiers . France cannot match the moral half of this claim though he can match the threat with ' As many and as well - born bloods ' ( 278 ) . But ...
... moral right to the English throne ; that so many men follow him attests his threat to Angiers . France cannot match the moral half of this claim though he can match the threat with ' As many and as well - born bloods ' ( 278 ) . But ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York