Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 49
... mean- ing is the same as didactic meaning . And after all , I sup- pose good wives should take good care of their linen ... means stopping , giving up , while the thing to do is go on , and go back , and go on again , through the complex ...
... mean- ing is the same as didactic meaning . And after all , I sup- pose good wives should take good care of their linen ... means stopping , giving up , while the thing to do is go on , and go back , and go on again , through the complex ...
Seite 248
... means that certain figures of speech are repeated unthinkingly by people who do not even notice their mean- ing . The four protagonists of A Midsummer Night's Dream certainly are unthinking repeaters of modish formulas . But mere ...
... means that certain figures of speech are repeated unthinkingly by people who do not even notice their mean- ing . The four protagonists of A Midsummer Night's Dream certainly are unthinking repeaters of modish formulas . But mere ...
Seite 367
... means an endpoint which is so elusive and inaccessible by ordinary means ( that is , through orderly chains of causes and effects , actions and consequences ) . Hamlet's desperate attempts to imagine a terminus - for example , " I say ...
... means an endpoint which is so elusive and inaccessible by ordinary means ( that is , through orderly chains of causes and effects , actions and consequences ) . Hamlet's desperate attempts to imagine a terminus - for example , " I say ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York