Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 141
... lovers , he concludes that the lover turns the beloved into a subject supposed to know , someone who can answer all his questions about what he wants ( 267 ) . This transference is actually undertaken by the lover as a strategy of ...
... lovers , he concludes that the lover turns the beloved into a subject supposed to know , someone who can answer all his questions about what he wants ( 267 ) . This transference is actually undertaken by the lover as a strategy of ...
Seite 176
... lovers is a mimetic tangle , a frenzy of mimetic rivalry in which , at any given moment , all of their desires tend to converge on the same object . As violence increases , the four characters become indistinguishable . Individual ...
... lovers is a mimetic tangle , a frenzy of mimetic rivalry in which , at any given moment , all of their desires tend to converge on the same object . As violence increases , the four characters become indistinguishable . Individual ...
Seite 247
... lovers themselves , who talk ceaselessly about " true love " but obviously do not care to understand the mechanism of their own feelings . Metaphysical desire is mimetic , and mimetic desire cannot be let loose without breeding a ...
... lovers themselves , who talk ceaselessly about " true love " but obviously do not care to understand the mechanism of their own feelings . Metaphysical desire is mimetic , and mimetic desire cannot be let loose without breeding a ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York