Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... Look on her , look , her lips , / Look there , look there ! ' They seem to me to express excitement : the emotion , not of Laertes ' exclamation ' Do you see this , O God ? ' but of Lear's ' Look , look , a mouse ! ' If it is agreed ...
... Look on her , look , her lips , / Look there , look there ! ' They seem to me to express excitement : the emotion , not of Laertes ' exclamation ' Do you see this , O God ? ' but of Lear's ' Look , look , a mouse ! ' If it is agreed ...
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... look , an unbear- able joy . ( p . 291 ) The final moments of Lear's life are dealt with in fifty - five lines ... Look on her . Look , her lips . Look there , look there . ( 5.3.286-7 ) The relationship between the quarto and folio ...
... look , an unbear- able joy . ( p . 291 ) The final moments of Lear's life are dealt with in fifty - five lines ... Look on her . Look , her lips . Look there , look there . ( 5.3.286-7 ) The relationship between the quarto and folio ...
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... Look there , look there ' are not , in consequence , directed to Cordelia's body but to her spirit which , as the spirit of Caesar did for Brutus , stays for her father . ' My daughter calls me : I will not say no . ' Lear and Cordelia ...
... Look there , look there ' are not , in consequence , directed to Cordelia's body but to her spirit which , as the spirit of Caesar did for Brutus , stays for her father . ' My daughter calls me : I will not say no . ' Lear and Cordelia ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York