Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 54
... kind of self - justification , for he makes his plea for a just assessment of his life neither to the public nor to someone he directs to make it to the public . He speaks only to Cleopatra : The miserable change now at my end Lament ...
... kind of self - justification , for he makes his plea for a just assessment of his life neither to the public nor to someone he directs to make it to the public . He speaks only to Cleopatra : The miserable change now at my end Lament ...
Seite 59
... kind of life he represents . It is true that this comic victory is ironic , for Antony and Cleopatra are not only old , but also dead , and the world , the normal sphere of comic activity , is left for the young Caesar to bustle in ...
... kind of life he represents . It is true that this comic victory is ironic , for Antony and Cleopatra are not only old , but also dead , and the world , the normal sphere of comic activity , is left for the young Caesar to bustle in ...
Seite 366
... kind of succession of the many that threaten Macbeth , this beneficiary of succession who becomes its enemy at the moment of his accession . Narratives in general , including the plot of Macbeth , may represent a marriage of three and ...
... kind of succession of the many that threaten Macbeth , this beneficiary of succession who becomes its enemy at the moment of his accession . Narratives in general , including the plot of Macbeth , may represent a marriage of three and ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York