Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 116
... erotic desire and anxiety can be played out . In this chapter I mean to demonstrate my earlier assertion that certain Shakespearean texts display a homoerotic circulation of desire , that homoerotic energy is elicited , exchanged ...
... erotic desire and anxiety can be played out . In this chapter I mean to demonstrate my earlier assertion that certain Shakespearean texts display a homoerotic circulation of desire , that homoerotic energy is elicited , exchanged ...
Seite 120
... erotic " confusion " but of the play . And yet the play does not end with Hymen's bars and bands , but with a renewed attack on the pretensions of erotic certitude . In a repetition of her previous gender and erotic mobility , Rosalind ...
... erotic " confusion " but of the play . And yet the play does not end with Hymen's bars and bands , but with a renewed attack on the pretensions of erotic certitude . In a repetition of her previous gender and erotic mobility , Rosalind ...
Seite 121
... erotic economy , a utopian return to a polymorphously perverse body unmediated by cultural restraints . As the penultimate gesture toward the institution of marriage clearly indicates , endless erotic mobility is difficult to sustain ...
... erotic economy , a utopian return to a polymorphously perverse body unmediated by cultural restraints . As the penultimate gesture toward the institution of marriage clearly indicates , endless erotic mobility is difficult to sustain ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York