Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 40
... bodies of his Saints . . . that body that was scattered over all the elements , is sate down at the right hand of God , in a glorious resurrection . " Advancing scientific knowledge and philosophical skepticism have gradually undermined ...
... bodies of his Saints . . . that body that was scattered over all the elements , is sate down at the right hand of God , in a glorious resurrection . " Advancing scientific knowledge and philosophical skepticism have gradually undermined ...
Seite 41
... body of the deceased serves as the main prop , or " the principal actor , " in this pageant of death . Not only the bodies laid out in a nation's capitol or paraded through ranks of mourners command this sort of dramatic interest . For ...
... body of the deceased serves as the main prop , or " the principal actor , " in this pageant of death . Not only the bodies laid out in a nation's capitol or paraded through ranks of mourners command this sort of dramatic interest . For ...
Seite 44
... body of indeterminate status and , reminded of the actual experience of confronting a dead body , must realize the inexact correspondence between person and corpse . It is not simply a matter of identity residing in the soul and the body ...
... body of indeterminate status and , reminded of the actual experience of confronting a dead body , must realize the inexact correspondence between person and corpse . It is not simply a matter of identity residing in the soul and the body ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York