Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite vii
... Beginning with volume 57 in the series , SC provides a works - based approach ; each of the four entries contained in a regular volume focuses on a specific Shakespearean play or poem . The entries will include the most recent criticism ...
... Beginning with volume 57 in the series , SC provides a works - based approach ; each of the four entries contained in a regular volume focuses on a specific Shakespearean play or poem . The entries will include the most recent criticism ...
Seite 202
... beginning of the play , had been fulfilled : " O that this too , too sullied flesh would melt / Thaw and resolve itself unto a dew . " In this soliloquy , he compares the world to " an unweeded garden / That grows to seed , things rank ...
... beginning of the play , had been fulfilled : " O that this too , too sullied flesh would melt / Thaw and resolve itself unto a dew . " In this soliloquy , he compares the world to " an unweeded garden / That grows to seed , things rank ...
Seite 312
... beginning . The Bastard is a fictitious character ; that is , not historically legitimate , and his cynicism and il- legitimate birth epitomize the lawless forces that substitute for providential order to motivate the action and move ...
... beginning . The Bastard is a fictitious character ; that is , not historically legitimate , and his cynicism and il- legitimate birth epitomize the lawless forces that substitute for providential order to motivate the action and move ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York