Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 159
... appears as exclusively male as the public world of court and battlefield . These are the sites of struggle for Hal and in them the plays seem to occupy the terrain of sonnets 18- 126 , with their production of an image of perfection and ...
... appears as exclusively male as the public world of court and battlefield . These are the sites of struggle for Hal and in them the plays seem to occupy the terrain of sonnets 18- 126 , with their production of an image of perfection and ...
Seite 249
... appears , come from Ovid . This is true , but the existence of a literary source for a figure of speech does not necessarily imply that it is used in a purely formal and inconsequential manner , that it cannot be given a vital ...
... appears , come from Ovid . This is true , but the existence of a literary source for a figure of speech does not necessarily imply that it is used in a purely formal and inconsequential manner , that it cannot be given a vital ...
Seite 345
... appears to go along with Macbeth : Let your Highness Command upon me ; to the which my duties Are with a most indissoluble tie For ever knit . ( III.i. 15-18 ) Indeed Bradley thought that Banquo's own ambition for his descendants kept ...
... appears to go along with Macbeth : Let your Highness Command upon me ; to the which my duties Are with a most indissoluble tie For ever knit . ( III.i. 15-18 ) Indeed Bradley thought that Banquo's own ambition for his descendants kept ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York