Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 135
... Viola , in her famous soliloquy , suddenly realizes , " I am the man : if it be so , as ' tis , / Poor lady , she were better love a dream " ( 2.2.24-25 ) . Viola is acknowledging that her performance as a man has out - manned every ...
... Viola , in her famous soliloquy , suddenly realizes , " I am the man : if it be so , as ' tis , / Poor lady , she were better love a dream " ( 2.2.24-25 ) . Viola is acknowledging that her performance as a man has out - manned every ...
Seite 136
... Viola's disguise is largely undermined by her ultimately heterosexual aim ; after all , the object of her desire is Orsino . " Butler herself warns that heterosexu- ality can augment its hegemony through the denaturaliza- tion of cross ...
... Viola's disguise is largely undermined by her ultimately heterosexual aim ; after all , the object of her desire is Orsino . " Butler herself warns that heterosexu- ality can augment its hegemony through the denaturaliza- tion of cross ...
Seite 268
... Viola's impersonated pas- sion so inadvertently elicits from Olivia suggests another variation on the Echo theme , as fable fades into metaphor . Echo is that reciprocation of feeling so eloquently expressed by Viola as she and Orsino ...
... Viola's impersonated pas- sion so inadvertently elicits from Olivia suggests another variation on the Echo theme , as fable fades into metaphor . Echo is that reciprocation of feeling so eloquently expressed by Viola as she and Orsino ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York