Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... University Press . Reproduced by permission . - English Literary Renaissance , v . 26 , Autumn , 1996. Copyright © 1996 by English Literary Renaissance . Reproduced by permission . - Essays in Criticism , v . 12 , 1962 for " Richard's ...
... University Press . Reproduced by permission . - English Literary Renaissance , v . 26 , Autumn , 1996. Copyright © 1996 by English Literary Renaissance . Reproduced by permission . - Essays in Criticism , v . 12 , 1962 for " Richard's ...
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... University Press , 1979. Copyright © 1979 by Cornell University . Used by permission of Cornell University Press . - Girard , René . From " Shakespeare's Theory of Mythology , " in Classical Mythology in Twentieth - Century Thought and ...
... University Press , 1979. Copyright © 1979 by Cornell University . Used by permission of Cornell University Press . - Girard , René . From " Shakespeare's Theory of Mythology , " in Classical Mythology in Twentieth - Century Thought and ...
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... University Press , 1971 ) ; and Robert Rentoul Reed , Jr. , Crime and God's Judg- ment in Shakespeare ( Lexington : University Press of Kentucky , 1984 ) . See also the summaries of twentieth - century criticism of Shakespeare's history ...
... University Press , 1971 ) ; and Robert Rentoul Reed , Jr. , Crime and God's Judg- ment in Shakespeare ( Lexington : University Press of Kentucky , 1984 ) . See also the summaries of twentieth - century criticism of Shakespeare's history ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York