Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 34
... Talbot sequence is estab- lished early in the play . The first scene reports two critical events : the death of Henry V , and the defeat and capture of Talbot at Orleans . In the development of the scene the second event displaces the ...
... Talbot sequence is estab- lished early in the play . The first scene reports two critical events : the death of Henry V , and the defeat and capture of Talbot at Orleans . In the development of the scene the second event displaces the ...
Seite 35
... Talbot rescues John on the field of battle : Talbot . . . . Where is John Talbot ? Pause , and take thy breath . I gave thee life and rescu'd thee from death . John . O , twice my father , twice am I thy son ! The life thou gav'st me ...
... Talbot rescues John on the field of battle : Talbot . . . . Where is John Talbot ? Pause , and take thy breath . I gave thee life and rescu'd thee from death . John . O , twice my father , twice am I thy son ! The life thou gav'st me ...
Seite 36
... Talbot . And leave my followers here to fight and die ? My age was never tainted with such shame . John . And shall my youth be guilty of such blame ? ( IV.v.42-47 ) Stylistically , the Talbot sequence looks forward to plays like The ...
... Talbot . And leave my followers here to fight and die ? My age was never tainted with such shame . John . And shall my youth be guilty of such blame ? ( IV.v.42-47 ) Stylistically , the Talbot sequence looks forward to plays like The ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York