Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... Renaissance discourse were considerably more blurred than they are today . Although Greenblatt has argued that this homology between the sexes was almost always presented within the rhetorical context of a patriarchal ideology , the ...
... Renaissance discourse were considerably more blurred than they are today . Although Greenblatt has argued that this homology between the sexes was almost always presented within the rhetorical context of a patriarchal ideology , the ...
Seite 140
... Renaissance Self- Fashioning : From More to Shakespeare ( Chicago : University of Chicago Press , 1980 ) ; Frank Wigham , " Interpretation at Court : Courtesy and the Performance - Audience Dialectic , " New Literary His- tory 14 ( 1983 ) ...
... Renaissance Self- Fashioning : From More to Shakespeare ( Chicago : University of Chicago Press , 1980 ) ; Frank Wigham , " Interpretation at Court : Courtesy and the Performance - Audience Dialectic , " New Literary His- tory 14 ( 1983 ) ...
Seite 321
... Renaissance production of a new concept of subjectivity , see Catherine Belsey , The Subject of Tragedy : Identity and Difference in Renaissance Drama ( London : Methuen , 1985 ) . 48. Poetics , VI . 9-11 , in Aristotle's Theory of ...
... Renaissance production of a new concept of subjectivity , see Catherine Belsey , The Subject of Tragedy : Identity and Difference in Renaissance Drama ( London : Methuen , 1985 ) . 48. Poetics , VI . 9-11 , in Aristotle's Theory of ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York