Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 295
... Queen Elizabeth , the " virgin queen , " had no heirs . Additionally , doubts about Elizabeth's own legitimacy as the rightful monarch plagued her reign . Among Shakespeare and his contempo- raries , therefore , questions regarding ...
... Queen Elizabeth , the " virgin queen , " had no heirs . Additionally , doubts about Elizabeth's own legitimacy as the rightful monarch plagued her reign . Among Shakespeare and his contempo- raries , therefore , questions regarding ...
Seite 329
... Queen Elizabeth's reign . Lane explains that the play explores the doubts regarding legitimacy and succes- sion that plagued the reigns of both King John and Queen Elizabeth . ] When Parliament convened in February , 1593 the queen was ...
... Queen Elizabeth's reign . Lane explains that the play explores the doubts regarding legitimacy and succes- sion that plagued the reigns of both King John and Queen Elizabeth . ] When Parliament convened in February , 1593 the queen was ...
Seite 357
... Queen Elizabeth and King James and studies the way in which James's aloofness is reflected in Macbeth . Baldo explains that whereas Shakespeare's Elizabethan plays reflect Elizabeth's theatricality and interrupted succession , Macbeth ...
... Queen Elizabeth and King James and studies the way in which James's aloofness is reflected in Macbeth . Baldo explains that whereas Shakespeare's Elizabethan plays reflect Elizabeth's theatricality and interrupted succession , Macbeth ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York