Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 270
... Ovidian ' rhetoric in Twelfth Night . ] The contradictory attitudes held toward Ovid in the Renais- sance complicate the relationship between Ovid's Meta- morphoses and Shakespeare's Twelfth Night , or What You Will . According to one ...
... Ovidian ' rhetoric in Twelfth Night . ] The contradictory attitudes held toward Ovid in the Renais- sance complicate the relationship between Ovid's Meta- morphoses and Shakespeare's Twelfth Night , or What You Will . According to one ...
Seite 271
... Ovid's world and , while he was influenced by the allegorical method , it was not Shakespeare's either . The opening scene of Twelfth Night provides us with an example of Shakespeare's use of Ovidian metamorphosis , as Orsino dignifies ...
... Ovid's world and , while he was influenced by the allegorical method , it was not Shakespeare's either . The opening scene of Twelfth Night provides us with an example of Shakespeare's use of Ovidian metamorphosis , as Orsino dignifies ...
Seite 276
... Ovid are Brooks Otis , Ovid as an Epic Poet ( Cambridge : Cambridge University Press , 1966 ) ; G. Karl Galinsky , Ovid's Metamorphoses : An Introduction to the Basic Aspects ( Oxford : Basil Blackwell , 1975 ) ; Richard A. Lanham , Mo ...
... Ovid are Brooks Otis , Ovid as an Epic Poet ( Cambridge : Cambridge University Press , 1966 ) ; G. Karl Galinsky , Ovid's Metamorphoses : An Introduction to the Basic Aspects ( Oxford : Basil Blackwell , 1975 ) ; Richard A. Lanham , Mo ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York