Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 58
Seite 4
... Othello and Emilia , is clearly justified by something more than theatrical surprise . Theatrical surprise is , however , an important element in Shakespeare's inten- tion . Why else should he allow Othello to emphasize , just before ...
... Othello and Emilia , is clearly justified by something more than theatrical surprise . Theatrical surprise is , however , an important element in Shakespeare's inten- tion . Why else should he allow Othello to emphasize , just before ...
Seite 53
Michelle Lee. reach the nearly inaccessible ( heretofore invulnerable ) core of Othello's being , from whence his great passions break . This power is Desdemona's , not Iago's . Iago merely exploits it . The whole play testifies to ...
Michelle Lee. reach the nearly inaccessible ( heretofore invulnerable ) core of Othello's being , from whence his great passions break . This power is Desdemona's , not Iago's . Iago merely exploits it . The whole play testifies to ...
Seite 56
... Othello's recognition that these two are one , that he cannot , like Hamlet to Laertes , speak of another self who was Othel- lo's enemy too . No , even more than with Antony , the death of Othello shows a tragic figure accepting his ...
... Othello's recognition that these two are one , that he cannot , like Hamlet to Laertes , speak of another self who was Othel- lo's enemy too . No , even more than with Antony , the death of Othello shows a tragic figure accepting his ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York