Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 66
... Lear and Gloucester a picture of old age full of naturalistic detail . Lear habitually repeats himself . ' He is querulous , touchy , as prone as any child to self - pitying tears and impotent threats . You see me here , you gods , a ...
... Lear and Gloucester a picture of old age full of naturalistic detail . Lear habitually repeats himself . ' He is querulous , touchy , as prone as any child to self - pitying tears and impotent threats . You see me here , you gods , a ...
Seite 68
... Lear , are not separate individu- als but a collective representation of Lear's royal way of life . " In defending his knights- " My train are men of choice and rarest parts / . . . And in the most exact regard support / The worships of ...
... Lear , are not separate individu- als but a collective representation of Lear's royal way of life . " In defending his knights- " My train are men of choice and rarest parts / . . . And in the most exact regard support / The worships of ...
Seite 83
... Lear and Cordelia pass , together , from life into life.23 In the past , many critics have rejected the suggestion that there may be more than a temporal element in King Lear . George Sampson , indeed , opens the single paragraph he ...
... Lear and Cordelia pass , together , from life into life.23 In the past , many critics have rejected the suggestion that there may be more than a temporal element in King Lear . George Sampson , indeed , opens the single paragraph he ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York