Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 97
... Juliet ( 1595-96 ) contains a striking account by Juliet of the fear of the grave . Friar Laurence , who has married her in secret to Romeo , has prepared a drug to save her from the sin of bigamy . The drug will make her appear dead in ...
... Juliet ( 1595-96 ) contains a striking account by Juliet of the fear of the grave . Friar Laurence , who has married her in secret to Romeo , has prepared a drug to save her from the sin of bigamy . The drug will make her appear dead in ...
Seite 98
... Juliet . " On several occasions , the heroine of Apuleius undergoes the temptation to com- mit suicide . When she discovers the identity of her husband , she becomes fascinated by the weapons he has laid close to the bed . She tries ...
... Juliet . " On several occasions , the heroine of Apuleius undergoes the temptation to com- mit suicide . When she discovers the identity of her husband , she becomes fascinated by the weapons he has laid close to the bed . She tries ...
Seite 389
... Juliet 5 : 421 , 427 , 431 , 496 , 509 , 513 , 516 , 520 , 525 , 528 , 538 ; 33 : 287 ; 44 : 11 Troilus and Cressida 43 : 377 ; 59 : 318 contrasting dramatic worlds Henry IV , Parts 1 and 2 14 : 56 , 60 , 61 , 84 , 105 ; 48 : 95 ; 49 ...
... Juliet 5 : 421 , 427 , 431 , 496 , 509 , 513 , 516 , 520 , 525 , 528 , 538 ; 33 : 287 ; 44 : 11 Troilus and Cressida 43 : 377 ; 59 : 318 contrasting dramatic worlds Henry IV , Parts 1 and 2 14 : 56 , 60 , 61 , 84 , 105 ; 48 : 95 ; 49 ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York