Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 186
... Ixion . Since Lear compares his suffering to that of Ixion , it is natural to wonder whether the actions which cause his punishment are in any way analogous to those of Ixion . An earlier reference in Act IV helps to answer the question ...
... Ixion . Since Lear compares his suffering to that of Ixion , it is natural to wonder whether the actions which cause his punishment are in any way analogous to those of Ixion . An earlier reference in Act IV helps to answer the question ...
Seite 187
... Ixion igitur coniungium Iunonis adfectatus , illa nubem ornavit in speciem suam , cum qua Ixion coiens Centau- ros genuit . . . . Denique Ixionem dici voluerunt quasi Axionem ; axioma enim Grece dignitas dicitur , Dea vero regnorum Iuno ...
... Ixion igitur coniungium Iunonis adfectatus , illa nubem ornavit in speciem suam , cum qua Ixion coiens Centau- ros genuit . . . . Denique Ixionem dici voluerunt quasi Axionem ; axioma enim Grece dignitas dicitur , Dea vero regnorum Iuno ...
Seite 188
... Ixion myth is an emblem of " tyrants , ambitious and intemperate men in the state , and heretics and sophists in the church . " 13 Alexander Ross adds a rather surprising Christian interpretation . For him it is a fable of religious ...
... Ixion myth is an emblem of " tyrants , ambitious and intemperate men in the state , and heretics and sophists in the church . " 13 Alexander Ross adds a rather surprising Christian interpretation . For him it is a fable of religious ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York