Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 36
... vi.38-39 ) . When the captured York , about to be killed by his enemies , threatens that a phoenix will rise from his ashes to avenge him ( 3 Henry VI , I.iv.35- 36 ) we know that the prophecy will be fulfilled in his son Richard . But ...
... vi.38-39 ) . When the captured York , about to be killed by his enemies , threatens that a phoenix will rise from his ashes to avenge him ( 3 Henry VI , I.iv.35- 36 ) we know that the prophecy will be fulfilled in his son Richard . But ...
Seite 38
... Henry VI its title , the death of York . Alone , defeated , he recalls how his sons tried to save him : My sons - God knows what hath bechanced them ; But this I know , they have demean'd themselves Like men born to renown by life or ...
... Henry VI its title , the death of York . Alone , defeated , he recalls how his sons tried to save him : My sons - God knows what hath bechanced them ; But this I know , they have demean'd themselves Like men born to renown by life or ...
Seite 310
... Henry IV plays , to depict an abrupt plunge into a contemporary , fallen world , " where the future Henry V must ... VI and ends with Henry V replaces the teleological , providen- tial narrative of Tudor propaganda with a self ...
... Henry IV plays , to depict an abrupt plunge into a contemporary , fallen world , " where the future Henry V must ... VI and ends with Henry V replaces the teleological , providen- tial narrative of Tudor propaganda with a self ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York