Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 310
... Henry IV plays , to depict an abrupt plunge into a contemporary , fallen world , " where the future Henry V must engage in a long struggle to reconstruct the uncontested union of authority and power that obtained in the older , Edenic ...
... Henry IV plays , to depict an abrupt plunge into a contemporary , fallen world , " where the future Henry V must engage in a long struggle to reconstruct the uncontested union of authority and power that obtained in the older , Edenic ...
Seite 313
... Henry IV is a play that can be understood on either or both of two levels , like the Tudor histories that , acknowledging that all things have their first causes in the will of God , still found it profitable and use- ful to explore ...
... Henry IV is a play that can be understood on either or both of two levels , like the Tudor histories that , acknowledging that all things have their first causes in the will of God , still found it profitable and use- ful to explore ...
Seite 378
... Henry ( King Henry IV , previously known as Bolingbroke ) Henry IV , Parts 1 and 2 39 : 123 , 137 effectiveness as ruler 49 : 116 guilt 49 : 112 historical context 49 : 139 illegitimacy of rule 49 : 112 , 133 , 137 power 49 : 139 as ...
... Henry ( King Henry IV , previously known as Bolingbroke ) Henry IV , Parts 1 and 2 39 : 123 , 137 effectiveness as ruler 49 : 116 guilt 49 : 112 historical context 49 : 139 illegitimacy of rule 49 : 112 , 133 , 137 power 49 : 139 as ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York