Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 206
... Coriolanus , not as ordinary human personali- ties in the manner of Plutarch , but as divine forces larger than life who tower over the remainder of the cast . Dei- ties , however , are very difficult for actors trained in the ...
... Coriolanus , not as ordinary human personali- ties in the manner of Plutarch , but as divine forces larger than life who tower over the remainder of the cast . Dei- ties , however , are very difficult for actors trained in the ...
Seite 209
... Coriolanus . Valeria's mythic origin is the goddess Diana , warrior - huntress and the new moon , who is the first aspect of the Great Goddess . Coriolanus hails her in V , iii , as " The moon of Rome , chaste as the icicle / That's ...
... Coriolanus . Valeria's mythic origin is the goddess Diana , warrior - huntress and the new moon , who is the first aspect of the Great Goddess . Coriolanus hails her in V , iii , as " The moon of Rome , chaste as the icicle / That's ...
Seite 210
... Coriolanus as inhuman and metallic , a war machine to be used : " When he walks , he moves like an engine , and the ground shrinks before his treading . He is able to pierce a corslet with his eye , talks like a knell , and his hum is a ...
... Coriolanus as inhuman and metallic , a war machine to be used : " When he walks , he moves like an engine , and the ground shrinks before his treading . He is able to pierce a corslet with his eye , talks like a knell , and his hum is a ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York