Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 199
... Claudius who personifies this " mock king " . At the end of the play within the play , when he has shown that the king is guilty , Hamlet , carried away by his success as the director of the play , rejoices , saying " For thou dost know ...
... Claudius who personifies this " mock king " . At the end of the play within the play , when he has shown that the king is guilty , Hamlet , carried away by his success as the director of the play , rejoices , saying " For thou dost know ...
Seite 351
... Claudius realizes that he has " done but greenly / In hugger - mugger to inter him " ( IV.v.81-84 ) . And Claudius's anxiety about appear- ances leaves him vulnerable to Laertes , who concludes from Polonius's " means of death " and ...
... Claudius realizes that he has " done but greenly / In hugger - mugger to inter him " ( IV.v.81-84 ) . And Claudius's anxiety about appear- ances leaves him vulnerable to Laertes , who concludes from Polonius's " means of death " and ...
Seite 352
... Claudius's responsibility has definite limits . While it is not possible to measure precisely the influence of his sins on the behavior of his followers , especially the cor- rupting influence of the royal murder - of which his ...
... Claudius's responsibility has definite limits . While it is not possible to measure precisely the influence of his sins on the behavior of his followers , especially the cor- rupting influence of the royal murder - of which his ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York