Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 76
... Christian himself for him to admit a Christian interpretation of a given passage ; it is not necessary for us to prove that Shakespeare was a convinced Christian before we can claim that he gave a Christian slant to a given passage ...
... Christian himself for him to admit a Christian interpretation of a given passage ; it is not necessary for us to prove that Shakespeare was a convinced Christian before we can claim that he gave a Christian slant to a given passage ...
Seite 183
... Christian exegesis - enlarged into the devil . He has become the undying worm who preys on mortal man and woman . The whole ritual of apotheosis on which the latter part of the play is based is hereby exploded , and the hero and heroine ...
... Christian exegesis - enlarged into the devil . He has become the undying worm who preys on mortal man and woman . The whole ritual of apotheosis on which the latter part of the play is based is hereby exploded , and the hero and heroine ...
Seite 236
... Christ or of the Christian man persisted and often merged with the more strictly moral allegories . Recently Marcel Simon in his Hercule et le Christianisme " has traced throughout the whole history of Christian thought the intimate ...
... Christ or of the Christian man persisted and often merged with the more strictly moral allegories . Recently Marcel Simon in his Hercule et le Christianisme " has traced throughout the whole history of Christian thought the intimate ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York