Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 297
... Arthur , the throneless rightful king ; the brother , John , who has usurped the throne ; and the bastard son , who , with neither right to nor possession of the throne , has nevertheless inherited the self - reliant decisiveness of a ...
... Arthur , the throneless rightful king ; the brother , John , who has usurped the throne ; and the bastard son , who , with neither right to nor possession of the throne , has nevertheless inherited the self - reliant decisiveness of a ...
Seite 301
... Arthur , has about it more of threat than of concern . Hubert's entrance before John's reply ( as the Folio has it , rather than following that reply , where most editors have seen fit to place it ) plainly implies , as Honigmann points ...
... Arthur , has about it more of threat than of concern . Hubert's entrance before John's reply ( as the Folio has it , rather than following that reply , where most editors have seen fit to place it ) plainly implies , as Honigmann points ...
Seite 338
... Arthur's claim and undermine John's ( " Look here upon thy brother Geoffrey's face " 2.1.100 ; See also 101-2 ) , opposing Arthur's " living blood " ( 2.1.108 ) of Geoffrey John's older brother , to John's empty title ( " How comes it ...
... Arthur's claim and undermine John's ( " Look here upon thy brother Geoffrey's face " 2.1.100 ; See also 101-2 ) , opposing Arthur's " living blood " ( 2.1.108 ) of Geoffrey John's older brother , to John's empty title ( " How comes it ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York