An Abridgment of Elements of CriticismRaynor, 1848 - 300 Seiten |
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Seite 4
... Sentiments ..... 105 17. Language of Passion . 123 18. Beauty of Language . 133 Sect . 1. Beauty of Language with respect to Sound . ib . 2. Beauty of Language with respect to Significa- tion .... 134 3. Beauty of Language from a ...
... Sentiments ..... 105 17. Language of Passion . 123 18. Beauty of Language . 133 Sect . 1. Beauty of Language with respect to Sound . ib . 2. Beauty of Language with respect to Significa- tion .... 134 3. Beauty of Language from a ...
Seite 6
... Sentiments ... 105 .... 17. Language of Passion . 123 18. Beauty of Language .. Sect . 1. Beauty of Language with respect to Sound . 2. Beauty of Language with respect to Significa- tion ... 133 ib . 134 3. Beauty of Language from a ...
... Sentiments ... 105 .... 17. Language of Passion . 123 18. Beauty of Language .. Sect . 1. Beauty of Language with respect to Sound . 2. Beauty of Language with respect to Significa- tion ... 133 ib . 134 3. Beauty of Language from a ...
Seite 58
... Sentiments , and even expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the ...
... Sentiments , and even expressions , are characterized in the same manner : an expression or sentiment that raises the mind is denominated great or elevated ; and hence the SUBLIME in poetry . In such figurative terms , we lose the ...
Seite 82
... sentiments , words , and actions ; and therefore we require here the strictest conformity . When we find what we thus require , we have a lively sense of pro- priety ; when we find the contrary , our sense of im- propriety is no less ...
... sentiments , words , and actions ; and therefore we require here the strictest conformity . When we find what we thus require , we have a lively sense of pro- priety ; when we find the contrary , our sense of im- propriety is no less ...
Seite 99
... sentiments . Habit makes no figure during the vivacity of youth : in middle age it gains ground ; and in old age governs without control . In that period of life , generally speaking , we eat at a certain hour , take exercise at a ...
... sentiments . Habit makes no figure during the vivacity of youth : in middle age it gains ground ; and in old age governs without control . In that period of life , generally speaking , we eat at a certain hour , take exercise at a ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers